Deepfakes Did Not Steal Your Face: They Stole the Consent Assumption

Years ago, Emily Schuman took a selfie in her car and posted it to Instagram. It was an unremarkable act, the kind of thing that happens several hundred thousand times a minute. In September 2026 that photograph came back to her as a sponsored advertisement in which she appeared to be holding up a vial of GLP-1 medication on behalf of a telehealth company called Gala, a business she had never heard of and had no relationship with.
Writing in the Guardian on 12 September 2026, Arielle Pardes reported that Schuman, the creator of the lifestyle blog Cupcakes and Cashmere and the holder of an Instagram audience above 500,000, had been the subject of at least three such fabrications. Alongside the weight-loss drug advertisement, a version of her with darker hair applied foundation for a cosmetics brand called Meroda, and generated images of her circulated on TikTok promoting a blood testing company called Superpower. “So violating,” she told Pardes. The synthetic versions were, in her description, “just like me, but the upside-down version.”
Her followers noticed before she did. They flooded her inbox asking about the sponsorship, because a GLP-1 endorsement did not fit the person they thought they knew. Schuman and her manager reported the advertisement to Meta. It took weeks of badgering before the GLP-1 advertisement came down. The cosmetics advertisement, according to the Guardian's reporting, was still circulating.
That sequence contains the whole economic problem, and almost every account of the deepfake crisis walks past it. The interesting thing is not that a face was copied. It is that the copy was profitable enough for someone to buy advertising inventory to distribute it, that the platform sold that inventory, that the audience did the detection work for free, and that the only party who paid to have it removed was the person whose face it was.
The Recommendation Economy Was Always Selling a Verification Shortcut
To understand what is being destroyed, you have to be precise about what was being sold.
An influencer endorsement is not, economically speaking, an advertisement. It is a transferred credibility judgement. The academic framework underpinning the entire industry is the source credibility model, which holds that persuasion depends on the perceived trustworthiness, expertise and attractiveness of the messenger rather than the message. Layered on top of that is parasocial interaction theory, the observation that audiences form one-sided relationships with media figures that function psychologically like friendships. The creator economy monetises the intersection: a viewer who feels they know someone will accept that person's product judgement at a discount to the scrutiny they would apply to a corporate claim.
The commercial scale of that shortcut is substantial and, unlike much of the surrounding statistical fog, reasonably well evidenced. In its February 2026 forecast, eMarketer revised United States social media creator marketing spending to 21.10 billion dollars for the year. Its reporting on buyer intentions found that 57 per cent of ad buyers described influencer advertisements and partnerships as their top priority for 2026, up from 48 per cent the previous year. Matter Communications' consumer research in 2025 found 71 per cent of consumers saying they trust recommendations from creators they follow more than advertisements from brands directly.
Hold that last figure loosely: it is a self-reported attitude rather than a behavioural measurement, and attitudes about advertising correlate poorly with responses to it. But the direction is not in dispute, and neither is the mechanism. Brands pay a premium over equivalent display inventory precisely because the face does verification work that a logo cannot.
Alice Marwick, director of research at the Data & Society Research Institute, made the supply-side point to the Guardian: influencers are unusually easy to replicate because they “have hundreds of hours of footage and thousands of pictures of them online”. The obligation to be constantly visible is also the obligation to furnish a training set.
Now notice what that implies. The asset was never the face. The asset was the audience's belief that the face could only appear where its owner had consented to put it. The face was merely the carrier of a scarcity assumption. Generative models did not destroy the face. They destroyed the scarcity.
The Headline Number Is Cumulative, and the Guardian Made It Annual
The figure attached to this story in almost every retelling is 3.7 billion dollars, described in the Guardian's own framing as what global consumers “may have lost as much as” to deepfake scams “in 2026”, with social media impersonation accounting for roughly half.
That framing is wrong, and the error matters because it multiplies the apparent velocity of the problem by roughly five.
The source is a research chart published by Surfshark, a company that sells virtual private network subscriptions. Its own methodology page is explicit: the 3.7 billion dollar total is cumulative, covering January 2020 through June 2026. The distribution within that window is steep. Surfshark records 83 million dollars across the whole of 2020 to 2023, 335 million dollars in 2024, 2.5 billion dollars in 2025 and 764 million dollars in the first half of 2026. Social media is the largest single origin category at 1.73 billion dollars, or 47 per cent of the cumulative total, driven overwhelmingly by criminals using synthetic celebrities to promote fraudulent investment schemes. Impersonation fraud, defined separately as bypassing identity checks or gaining access to financial services, accounts for a further 911 million dollars.
So “half of it through social media impersonation” is an elision of two different categories, and “in 2026” describes six and a half years.
There is a second problem, and it is the one that should make anyone reaching for this statistic uneasy. Surfshark's own charts do not agree with each other. An earlier chart on the same research hub, covering social media specifically, reports deepfake losses of 1.1 billion dollars in 2025, tripling from 360 million dollars in 2024 and a ninefold increase on the 128 million dollars recorded between 2020 and 2023. The later origins chart gives 2.5 billion dollars for 2025, 335 million dollars for 2024 and 83 million dollars for 2020 to 2023. These are not rounding differences. The 2025 figure has more than doubled between publications.
This is not necessarily dishonesty. The method aggregates the AI Incident Database, Resemble.AI's deepfake incident database and the OECD's AI Incidents and Hazards Monitor, counting only incidents with a documented financial loss verified in media reports. A method like that reports the growth of journalism about deepfake fraud as faithfully as it reports the growth of deepfake fraud, and it revises upward whenever reporting catches up with older incidents. Surfshark says as much: the figures are a conservative floor built from publicly reported cases.
What it means in practice is that the number cannot bear the weight placed on it. It is not a measurement of losses. It is a count of the losses that got written up. Anybody citing it as an annual total for 2026 has compounded a provenance problem with an arithmetic one.
The figures that do come from primary collection agencies are less dramatic and more usable. The United States Federal Trade Commission, publishing its Consumer Sentinel data in April 2026, reported that consumers filed three million fraud reports in 2025 with 15.9 billion dollars in losses, up from 12 billion dollars the previous year. Nearly 30 per cent of people who reported losing money said the scam started on social media, with those losses totalling 2.1 billion dollars, an eightfold increase on the 261 million dollars reported in 2020. Facebook was named in more loss reports than any other platform, with WhatsApp and Instagram distant seconds. Investment scams originating on social media accounted for 1.1 billion dollars, more than half the social media total.
In the United Kingdom, Ofcom estimated in July 2026 that around 200 million pounds is lost to fraudulent advertising annually, and that 51 per cent of online adults have encountered a potentially fraudulent advertisement, with 36 per cent seeing them frequently. These numbers are smaller than the ones that circulate on conference slides. They are also collected by bodies with statutory reporting obligations rather than by companies selling security products, and they point at the same structural fact: the losses concentrate where paid distribution and impersonation intersect.
Four Per Cent Is a Figure in Search of a Source
The same provenance problem afflicts the other statistic carried in the Guardian's framing, that virtual influencers now account for around 4 per cent of brand spending.
Trace it and you arrive at a figure of roughly 1.37 billion dollars in annual brand spending on AI-generated personas, attributed to the analytics firm HypeAuditor, expressed as 4.2 per cent of a total influencer market usually put at 32.5 billion dollars. The percentage is not a measured share. It is one company's estimate of a numerator divided by a different company's estimate of a denominator, and it propagates through a mesh of search-optimised statistics aggregators, each citing the last.
The Influencer Marketing Hub's own 2026 Benchmark Report, built on a survey of more than 600 marketing professionals and the most frequently cited primary instrument in the sector, contains no data on virtual influencers at all. Its AI findings are about workflow: 36.67 per cent of respondents use AI for creator discovery, 21.11 per cent for content generation, 13.89 per cent for brief development. Brands are using AI to find humans, not to replace them. Meanwhile Linqia's enterprise research has been reported as finding that 89 per cent of enterprise marketers avoid virtual influencers entirely.
A number can be approximately right and still be epistemically worthless, and the four per cent figure sits in that category. The honest version of the claim is narrower and more interesting: synthetic personas are a small but fast-growing slice of a growing market, disproportionately visible relative to spend, and enterprise buyers remain wary. That is a different story from an inexorable synthetic takeover, and it bears directly on the question of what happens to endorsement value, because it means the immediate threat to a creator's income is not a virtual competitor. It is a counterfeit of themselves.
The Person Whose Face It Is Pays for the Cleanup
The clearest read on where the cost lands comes from the individual who has been absorbing it longest.
The financial journalist Martin Lewis sued Facebook for defamation in 2018 over advertisements that appropriated his image, settling after Meta agreed to donate three million pounds to charity and to build a scam advertisement reporting button. In July 2023 he described what he believed to be the first deepfake video scam advertisement using his likeness, a fabricated clip in which he appeared to endorse an investment scheme branded as a project of Elon Musk's. By April 2026, as Charlotte Tobitt reported in Press Gazette, Lewis was describing the situation as “worse than ever”, a “deliberate perversion of my name, reputation and work by organised criminals around the world”.
The operational detail in that reporting is the part worth dwelling on. Of 537 reports made to Action Fraud in 2024 about advertisements misusing someone's name, Lewis's identity featured in 44 per cent. Musk featured in 40 per cent. To manage this, Lewis funds the equivalent of one full-time member of staff doing nothing but chasing fraudulent advertisements. He pays for that. “I'm not Meta, I'm not X,” he told Press Gazette. “I can't take them down.” His proposed remedy was blunt and unfashionable: “You're framing this as a technology problem. Employ people to vet every advert.”
Set that against Schuman's position and the asymmetry becomes a formula. Lewis is a nationally recognised broadcaster with a media organisation behind him and a successful defamation settlement in his history, and his mitigation strategy is a permanent salaried headcount. Schuman is a lifestyle blogger with half a million followers. Her options, as the Guardian laid them out, are to hire lawyers, which costs money and time she would otherwise spend earning, or to do nothing and watch her audience conclude she has started selling weight-loss injections. There is no third option in which someone else bears the cost.
This is the answer to the question of who pays, and it is not a satisfying one. The loss is distributed to whoever has the least ability to refuse it. Consumers absorb the fraud losses. Creators absorb the reputational damage and the enforcement labour. The platform collects the advertising revenue in both directions, from the legitimate campaign and from the counterfeit of it.
Meta Priced the Problem Internally and Decided It Could Live With It
That last sentence would be a rhetorical flourish were it not for the documents.
In November 2025 Reuters published an investigation based on a cache of internal Meta records. The headline finding was that Meta had projected its 2024 revenue from advertisements for scams and banned goods at around 16 billion dollars, roughly 10 per cent of total revenue. The category covered fraudulent e-commerce and investment schemes, illegal online casinos and prohibited medical products. Meta's systems were estimated to show users around 15 billion higher-risk scam advertisements a day, generating roughly seven billion dollars in annualised sales. The company was recording around 3.5 billion dollars every six months from advertisements its own legal team had classified as carrying higher legal risk, a category that expressly included impersonating a brand or a celebrity.
Two operational parameters in that reporting explain everything about Schuman's weeks of badgering. The first is that Meta's automated systems banned an advertiser only when they were 95 per cent certain the account was committing fraud. A 95 per cent confidence threshold guarantees that a large volume of probable fraud stays live, because most fraud is not 95 per cent legible to a classifier. The second is a February 2025 document that quantified precisely how much revenue the company was prepared to forgo in order to clamp down on suspicious advertisers: 0.15 per cent of total revenue, or 135 million dollars.
Meta has contested the framing, with a spokesperson describing the 10 per cent projection as “a rough and overly-inclusive estimate” and saying the company aggressively addresses scam advertisements. Take that at face value and the structure still holds, because the structure is the enforcement threshold and the budget ceiling, not the revenue estimate.
Now compare the numbers. Ofcom's proposed fraudulent advertising code, consulted on from 10 July 2026 with a final statement promised by mid-2027 at the latest, would carry maximum fines of 18 million pounds or 10 per cent of global revenue. The 10 per cent figure is the meaningful one, because 18 million pounds is an eighth of the sum Meta had already earmarked as its acceptable annual cost of enforcement. The company is not gambling that regulators will not fine it. It is operating a system in which the fine is a line item and the revenue is the business.
Meta does run a countermeasure, and its shape is instructive. Since late 2024 it has used facial recognition to compare faces in suspected celebrity-bait advertisements against the profile pictures of enrolled public figures, blocking matches and deleting the biometric comparison data immediately afterwards. The company has reported that user reports of celebrity-bait scam advertisements, as a proportion of total impressions, fell 22 per cent globally in the first half of 2025, and that nearly 500,000 public figures are covered.
Nearly 500,000 protected public figures. Schuman has more than 500,000 followers. She was not one of them, or if she was, the system did not work. The protection is a list, and lists have edges, and the edge of this one runs straight through the middle of the professional creator population.
The Law Values Your Face at Whatever You Could Have Charged For It
Ask what legal remedy exists and you discover that the dominant frameworks were built to compensate a lost licensing fee, which is exactly the wrong instrument for a harm that destroys the licence's value.
In the United Kingdom there is no personality right and no image right. The nearest analogue is the tort of passing off, and its application to endorsement was settled in Irvine v Talksport, in which the Formula One driver Eddie Irvine succeeded against a radio station that had doctored a photograph to replace the mobile phone in his hand with a portable radio bearing the station's branding. The High Court established that no common field of activity was required and that a false message of endorsement understood by the market was actionable. The Court of Appeal then raised the damages from 2,000 pounds to 25,000 pounds, and the basis on which it did so is the point: the award represented the reasonable endorsement fee the defendant would have had to pay for lawful use.
That is the measure of loss the common law understands. What you could have charged. It works tolerably when a single brochure goes to a thousand advertising buyers. It fails completely when thousands of counterfeit endorsements are algorithmically distributed to your own audience, because the damage is not the unpaid fee. The damage is that every future fee is worth less, including the ones you did negotiate, because the signal they used to carry has been debased by forgeries you were not paid for and could not prevent.
The United States has a more developed apparatus and the same underlying logic. The right of publicity is a state-level property right in the commercial value of identity, meaning the protection tracks the market value. Recent statutes have widened it: Tennessee's ELVIS Act, signed on 21 March 2024, added voice to the state's protected personal rights and criminalised unauthorised commercial voice cloning; California's AB 2602 requires contractual provisions for digital replicas to describe intended uses with reasonable specificity and to be negotiated with representation, while AB 1836 governs replicas of the deceased.
At federal level the NO FAKES Act, reintroduced as S.4591, was advanced unanimously by the Senate Judiciary Committee on 18 June 2026 with a coalition spanning Hollywood, the recording industry and major technology firms. It would create a federal digital replication right covering voice and visual likeness, transferable and licensable, surviving death and terminating no more than 70 years afterwards, with a notice-and-takedown regime and carve-outs for news reporting, parody and criticism.
It is a serious piece of drafting and it would materially improve the position of someone like Schuman, mainly by giving her a federal takedown channel that platforms must operate rather than a customer service queue they may ignore. But note what it is. It is a property right, descendible for seven decades, structured like copyright. The legislative answer to the collapse of endorsement scarcity is to manufacture artificial scarcity by statute and then allow it to be traded. Which tells you where the value is expected to end up: with whoever accumulates the licences.
Denmark has taken the logic furthest. Its proposed amendment to the Copyright Act, unveiled on 26 June 2025 with cross-party backing, would grant every individual copyright-style entitlements over their body, facial features and voice, enabling takedown notices, compensation without proof of reputational harm, and platform liability for failure to act. As of 2026 it awaits final parliamentary adoption. It is the first serious attempt to attach the remedy to personhood rather than to market value, which is precisely why it is difficult: a right everyone holds equally is a right that cannot be cheaply administered.
Sometimes the Forger Is the Brand You Signed With
The assumption running through all of this is that the counterfeiter is a criminal somewhere offshore. One of 2026's more uncomfortable cases suggests the risk is also internal to the commercial relationship.
On 9 June 2026, the creator Molly Tranchin, who posts as FashionVeggie, filed a complaint in the United States District Court for the Northern District of California against the intimate apparel company EBY Inc. She had entered a content creation agreement and produced promotional footage wearing the company's products in a modest, non-sexual manner consistent with her established brand. The complaint alleged that EBY then used AI tools to alter that footage into an explicit version exposing portions of her body not visible in the original, and published it to its Instagram account without her review or consent. She pleaded California's non-consensual deepfake statute alongside defamation, copyright infringement and breach of contract.
The case produced no ruling. Tranchin voluntarily dismissed without prejudice after the company argued the court lacked subject-matter jurisdiction, and indicated she would refile in a court of competent jurisdiction.
No liability has been established and none should be inferred. What the filing demonstrates regardless is the shape of a new counterparty risk. A creator licences footage of herself for a defined use. The licensee possesses both the raw material and the tools to extend it. The contract, drafted for an era when footage could only be cut and not continued, may not say anything useful about generation. California's AB 2602 exists precisely to close that gap by requiring specific description of digital replica uses, which is an admission that the gap was open and that standard influencer agreements were sitting in it.
Disclosure Regimes Bind Everyone Except the Forger
The regulatory response across three jurisdictions converges on transparency, and transparency has a structural flaw that is obvious the moment you name it.
Article 50 of the EU AI Act entered into application on 2 August 2026. Deployers who use AI to generate or manipulate image, audio or video content constituting a deepfake must disclose that the content is artificially generated in a clear, distinguishable and accessible manner, no later than first exposure. Providers must mark outputs in machine-readable form. Penalties reach 15 million euros or 3 per cent of worldwide annual turnover. The AI Omnibus, on which Parliament and Council reached political agreement, pushes the Article 50(2) marking obligation back to 2 December 2026, but only for generative systems already placed on the EU market before 2 August 2026, so anything released since then carries the obligation already. The deployer disclosure duty took effect on 2 August 2026 regardless and stands untouched.
In the United Kingdom, the Advertising Standards Authority has made its position clear through guidance and rulings, confirming that AI-generated imagery is judged against the CAP Code like any other imagery and that AI-generated depictions of real people, particularly celebrities, must not mislead consumers into believing a genuine endorsement exists. Liability sits with the advertiser regardless of what the tool produced. The Ofcom fraudulent advertising consultation, open until 2 October 2026, proposes close to 40 measures binding Category 1 and Category 2A services, covering paid-for advertising only and excluding user-generated content and non-sponsored search results. In the United States, the FTC's Endorsement Guides at 16 CFR Part 255 were amended in 2024 to reach AI-generated and AI-modified endorsement content, and the Commission's supplemental rulemaking to extend its impersonation rule from governments and businesses to individuals remains unfinished, the proposed means-and-instrumentalities provision having been dropped.
Every one of these instruments binds a party with a registered address, a compliance function and revenue worth taking a percentage of. None of them binds the operator who bought Instagram placement for a fabricated GLP-1 endorsement through a shell account. Fraudulent deepfakes do not carry disclosures, because the entire commercial proposition of a fraudulent deepfake is that it is not disclosed.
The predictable consequence is an inversion of the signal. Compliant advertisers label their synthetic content. Criminals do not. Over time, the presence of an AI label comes to indicate a company with lawyers, and its absence indicates nothing at all, because absence now covers both authentic human content and everything produced outside the regime. Regulation designed to help audiences distinguish real from synthetic ends up marking only the subset of synthetic content that was never the problem.
Verification Exists, and It Is Billed in Biometrics
Platforms have built the tool that would help, and the price is worth reading carefully.
YouTube's likeness detection scans uploads for altered or synthetic uses of an enrolled creator's face and surfaces matches in YouTube Studio, from which removal can be requested. In May 2026 it was extended to all creators aged 18 and over, having been expanded in March 2026 to a pilot group including government officials, journalists and political candidates. To enrol, a creator submits a facial scan and government-issued photographic identification.
TikTok has moved in a parallel direction, requiring advertisers using voice clones or digital likenesses to upload consent documentation to Ads Manager including the individual's full legal name, a description of permitted use, campaign duration and a signed release, alongside labelling obligations for realistic depictions of people that draw on C2PA Content Credentials for automatic detection. Meta's facial recognition programme, described above, works the same way: to be defended, you must first be enrolled.
So the remedy for unauthorised biometric replication is authorised biometric submission. You defeat the copy of your face by giving a platform a verified original, plus a passport. For a professional creator that may be a rational trade. It is a harder trade for a journalist in a hostile jurisdiction, or for anyone whose objection to the deepfake was always that they never wanted their face in a corporate database.
The consent question was tested at Meta in July 2026, when Creative Artists Agency publicly urged the company to make likeness protection the default in its Muse Image generator and to require documented consent before third parties use a person's name, image, likeness, voice or work. SAG-AFTRA recommended that its members opt out of the feature entirely. An opt-out recommendation from the largest actors' union is a fairly precise statement of how much confidence the represented talent has in platform-administered likeness governance.
Disclosure Devalues the Genuine Article Too
There is a final mechanism, and it is the one that determines whether the recommendation economy can price its way out of this.
The experimental literature is beginning to quantify what audiences do when synthetic origin is made explicit. A between-subjects study by Fatema Juzer Ujjainwala, published in the Journal of Marketing & Social Research in November 2025, ran 320 social media users across conditions varying influencer type, human against AI, and disclosure, explicit against absent. AI-generated influencers produced significantly lower perceived authenticity and brand trust than human ones. Crucially, explicit disclosure of AI origin intensified the negative reaction rather than neutralising it. Digital literacy moderated the effect, with more literate consumers reacting less negatively.
A single study of 320 supports directional inference, not settled fact, and will need replication. But it aligns with the Gen Z research showing human influencers rated significantly higher on authenticity, trustworthiness and parasocial interaction, and it points at something the industry's transparency advocates have not fully absorbed. Disclosure does not restore trust. It transfers the cost of synthetic content onto the disclosing party.
Combine that with an environment in which audiences have been trained by fabricated advertisements to treat any endorsement as potentially counterfeit, and you get the endorsement equivalent of the liar's dividend. Schuman's genuine partnerships now arrive in front of an audience that has recently been fooled by fake ones. Every legitimate campaign inherits a suspicion tax it did nothing to earn. The forgery does not merely steal a fee. It degrades the yield on the asset that remains.
Where the Value Migrates When the Face Stops Being Scarce
Put the pieces together and the destination becomes legible.
If a face can be printed by anyone, its endorsement value does not simply fall. It migrates to whoever can certify that a given appearance was authorised. That capability currently sits with three sets of actors, and none of them is the creator.
It sits with the platforms, which hold the enrolment databases, the facial recognition pipelines and the takedown queues, and which are already monetising verification in adjacent forms. It sits with the legislatures, through instruments like the NO FAKES Act, which convert likeness into a descendible property right that will be aggregated by the parties best equipped to aggregate rights, which is to say agencies, labels and estates rather than individual creators. And it sits with brands, for whom the rational hedge against an uncontrollable human endorser is an endorser they own outright, which is the actual argument for virtual influencers and always has been. The four per cent figure may be poorly sourced, but the strategic logic it gestures at is sound: a synthetic persona cannot be impersonated in a way that damages the brand, because the brand holds the original.
The creator, in this arrangement, moves from proprietor to tenant. They hold an asset whose value now depends on a verification service they do not control, cannot audit and did not commission, enrolled in a system that requires them to surrender the very biometric data whose misuse they are trying to prevent, with a legal remedy calibrated to the licence fee they would have charged rather than to the market they have lost.
Can the recommendation economy price verification? It can, and it is already starting to. That is not the reassuring answer it sounds like. Pricing verification means that being believed becomes a service with a supplier, a fee structure and an eligibility criterion. It means that the creators who can afford a full-time member of staff to chase counterfeits, as Martin Lewis does, retain their credibility, and the ones who cannot, as most cannot, watch it erode while their inboxes fill with followers asking whether they have really started selling injectables.
Schuman's phrase was better than she may have intended. The upside-down version is not merely a mirror image. It is the same face with the polarity of the economics reversed: all the reach, none of the accountability, the revenue flowing to a stranger and the cost flowing to her. The technology did not take her face. It took the assumption that her face meant she had agreed, and that assumption, not the pixels, was the thing she had spent a decade building and was in the business of selling.
References
- Arielle Pardes, “Deepfakes are wrecking influencers' credibility, one fake ad at a time,” The Guardian, 12 September 2026. https://www.theguardian.com/technology/2026/sep/12/deepfake-influencers-ads
- Surfshark Research Hub, “$3.7B lost to deepfakes, social media is the primary origin,” Surfshark, July 2026. https://surfshark.com/research/chart/deepfake-fraud-origins
- Surfshark Research Hub, “Facebook led in deepfake-related fraud in 2025,” Surfshark, 2026. https://surfshark.com/research/chart/deepfake-social-media-fraud
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- Edmund Irvine Tidswell Ltd v Talksport Ltd [2002] 1 WLR 2355; [2003] EWCA Civ 423. 5RB Barristers case report. https://www.5rb.com/case/irvine-v-talksport-ltd/
- United States Senate, “S.4591 NO FAKES Act of 2026,” 119th Congress. https://www.congress.gov/bill/119th-congress/senate-bill/4591
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- Fatema Juzer Ujjainwala, “Influence of AI-Generated Influencer Content on Brand Trust and Authenticity Perceptions,” Journal of Marketing & Social Research, 22 November 2025. https://www.jmsr-online.com/article/influence-of-ai-generated-influencer-content-on-brand-trust-and-authenticity-perceptions-438/
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- Data & Society Research Institute, “Alice E. Marwick,” datasociety.net. https://datasociety.net/team/alice-e-marwick/

Tim Green UK-based Systems Theorist & Independent Technology Writer
Tim explores the intersections of artificial intelligence, decentralised cognition, and posthuman ethics. His work, published at smarterarticles.co.uk, challenges dominant narratives of technological progress while proposing interdisciplinary frameworks for collective intelligence and digital stewardship.
His writing has been featured on Ground News and shared by independent researchers across both academic and technological communities.
ORCID: 0009-0002-0156-9795 Email: tim@smarterarticles.co.uk
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